The main theme of this collection of articles is the poetic language of O. E. Mandelstam, and the focus is mainly the late period of his work. At this time, with a forced absence of a natural reader’s audience, Mandelstam’s poems are paradoxically distinguished by the ultimate intensity and freedom of dialogue – they are designed for interlocutors of the past era, readers of the future and contemporaries of the poet. Almost every work turns into a kind of manifest. An attempt to interpret the tools and the meaning of some of these manifestos and our research is devoted.
Author
Assumption Fedor Borisovich
Publisher
Fund for the development of fundamental linguistic research, 2014
Series
Studia Philologica
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