At the end of the 19th century, young artists began to look for their paths in painting. At the same time, the Abramtsevo circle formed, which put forward new tasks that are not inherent in the partnership program. And then – in the 1900s – for the first time in Russian artistic life an abundance of various associations arose: they all performed with their programs, manifestos, and platforms.
In this complicated setting on two poles – in Moscow and St. Petersburg – two major art associations formed: “World of Art” and the Union of Russian Artists.
This volume is represented:
L.S. Bakst
A.N. Benois
R.A. Bergholz
AND I. Bilibin
N.P. Bogdanov-Belsky
V.E. Borisov-Musatov
I.E. BRAZ
I.A. Veltz
S.A. Vinogradov
MM. Germashev
A.Ya. Golovin
I.S. Goryushkin-sorocopudes
G.I. Gurkin
M.V. Dobunshy
A.S. Egorov
S.Yu. Zhukovsky
V.I. Zarubin
S.V. Ivanov
K.A. Korovin
E.E. Lissner
A.V. Makovsky
A.F. Maximov
F. Malyavin
V.N. Meshkov
…
Author
Golitsyna Irina Anatolyevna
Editor
Zhukova Lyudmila
Publisher
White City, 2015
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