1945 was not only the year of Victory, but also the peak of Soviet military art-in the final of the Great Patriotic War, the Red Army took revenge for all the defeats of 1941-1942, rising to a qualitatively new level of solving combat missions and leaving far behind both opponents and allies.
The “liberal” revisionist historians are still trying to deny this fact, claiming that the victory was “too expensive for us”, that even in the triumphant 45th, the Soviet command was inferior to the German in operational art, being able to only close and “squeeze” the enemy due to a tremendous numerical superiority, but not mastering the skills of operations for the environment-so-called so-called “Cannes” recognized as the highest form of military art.
This book refutes all these anti -Soviet myths, showing by concrete examples that the notorious “Cannes” by the end of the war became the hallmark of the Soviet military school, that the Red Army fully mastered the skill of the circle …
Author
Portuguese Richard Mikhailovich, Runov Valentin Aleksandrovich
Editor
Anichkin N.
Publisher
Eksmo, 2010
Series
1945. Victory
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