Studying the object that you plan to draw, you most often use your eyes. To study the landscape, all your feelings will come in handy. Unlike working with an inanimate object for a still life or a person who is specially sitting in front of you for a portrait, a horizon, a high sky or surface of a reservoir suddenly scatter in front of you. The strokes that your pencil, brush or pen will apply should respond in memories and in the boundless imagination of the viewer.
Author
Barber Barrington
Editor
Dankova L.
Translator
Kursk K. S.
Publisher
RIPOPEN CLASSIC, 2017
Series
How to draw anything
12+
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